| The Jonestown Tapes: Reel-to-Reel |
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1)
Jim Jones’ sermons to his followers in
the Temple’s several locations in California
2)
Jonestown audio, featuring community
meetings, White Nights, disciplinary meetings, and mass suicide
3)
Jones’ recorded instructions to the
community and readings of the news
1)
California Sermons
These perfectly capture Jim Jones’
evolution from Reverend to “Father.” Someone casually listening might mistake
this for Pentecostal-style preaching, but some closer listening reveals a man
slowly deconstructing dogmatic teachings of Christianity: the idea of a God and
replacing “Lord” with “Father,” throwing a Bible on the floor, and questioning
a Skygod that allows – evens justifies – poverty, neglect and violence.
Socialist teachings are preached through class warfare, not only with the
outside world, but amongst themselves. What
are you doing driving around in a Cadillac while that man over there starves
every night? You call yourself a Socialist?
Coupled with this are demonstrations of
Jones’ “miracles,” which are unbelievable on the printed page but simply
galling to hear, as the huckster boasts about the many lives he’s saved on his
blessing, the premonitions he has about those he calls up (after staff members
combed through their garbage), and the cancers strangely resembling chicken
livers that his staff presents to the congregation.
All of this, of course, lends itself to a
perfect Act I. It sets up his mental manipulation, his fascination with
socialism, his demands for allegiance – often at the expense of the family –
and his circus-like performances of healings. It establishes Jim Jones’
slow-grinding motives and beliefs, and the opportunity for new persons (i.e.
the audience) to start to come into contact with both.
2)
Jonestown meetings
As much as a folly some of those sermons
might be, the tapes made at Jonestown are a cold slap of reality: cruel,
embarrassing, and tragic.
Perhaps the hardest to listen to are the
sessions of various Jonestown residents taking turns “reporting” misdeeds of
each other in front of all gathered (presumably mandatory for all 900+) and of
course Jones presiding over these confessions. From small indiscretions, like
going up for seconds in the food line, all the way up through crimes like rape,
members face the large assembly of people and take their wallops, many times
literally. The slaps on skin crack the listener like a whip. And then there’s
Jim Jones’ gleeful response, occasionally giggling, sometimes appearing so
vein-bursting upset you don’t know if he’s doing it for effect or not.
One
tape in particular, Q49 Part1, inspires a wonderful montage
scene of Jones prepping everyone presumably for Ryan’s imminent arrival much
like a teacher/student relationship in a classroom, complete with simple
“pass/fail” feedback. “Fail” means back to re-education camp. Admittedly there
is a lighter tone by Jones here, as he tries to keep his people relaxed for the
questions posed from outsiders in days ahead. “They ask you where your money’s at? Ask them where their money’s at.
’You need help brother, is that why you’re asking?’”
Jim
Jones’ training shows in the NBC interviews of November 17th/18th. People
answers questions like actors on cue, everyone is content. It took two secret
notes slipped to the reporters that set things in motion on that fateful day.
And then there’s the infamous 44 minute “Death Tape” made on November 18th, 1978: It’s hard not to wince as you
listen, especially as the cry of children gradually increases throughout.
However, it is Jim Jones’s opening line to his mass audience – How have I loved you? – followed by his
last monologue (the last of many) trying to offer a credible explanation for
why more than 900 people should die: I thought this was a hell of a climax, a
speech which will translate very well in the last half-hour of an emotionally
exhausting three-hour film. 3) Jim Jones as News Source One Final Note…
The
old reel-to-reel tapes have an eerie ghostly quality to them due to the source
material. Since the reel-to-reels tapes were recorded over multiple times, many
have underlining audio
playing subliminally over the main track, often in slow haunting rhythms. On
other occasions, the main audio has been sped up or slowed way down only to
pick up at another time and place. It’s given me ideas how to frame the story,
a certain start-stop-back-forward narrative that it should follow, all because
of these tapes I’ve heard.
With these tapes, along with the raw
footage we have of Jones both in California (grainy 16mm) and in Jonestown
(grainy and video), I have been given this gift of media to study from, be
inspired by, and translate from script to screen.
(David
Berdass can be reached at David.Berdass@bermo.com.)
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