{"id":113384,"date":"2022-02-01T17:26:38","date_gmt":"2022-02-02T01:26:38","guid":{"rendered":"https:\/\/jonestown.sdsu.edu\/?page_id=113384"},"modified":"2022-10-28T17:00:49","modified_gmt":"2022-10-29T00:00:49","slug":"striking-to-the-marrow-of-jonestown","status":"publish","type":"page","link":"https:\/\/jonestown.sdsu.edu\/?page_id=113384","title":{"rendered":"Striking to the Marrow of Jonestown"},"content":{"rendered":"

\"\"<\/a>Marrow<\/a><\/strong><\/em>. By darlene anita scott. University Press of Kentucky, 2022.
\nReviewed by Rebecca Moore<\/p><\/blockquote>\n

The amazing poems of darlene anita scott in her new book Marrow <\/em>capture the essence of those who lived and died in Jonestown. scott uses diaries, photographs, letters, and tapes, along with her own prodigious imagination, to create stories, and worlds, that transcend the gory headlines. By humanizing the members of Peoples Temple, she reminds us of all that was lost on a single day in November 1978.<\/p>\n

\u201cA true account of the actual is the rarest poetry,\u201d wrote Henry David Thoreau in a remark that aptly describes scott\u2019s poems. Her poems are true, or truthful, depictions of the quotidian lives of ordinary Temple members, as she follows their steps from Indiana to California to Guyana.<\/p>\n

scott dates her poems to lend verisimilitude to an account that is far from literal. For example, the poem titled \u201cThe Peoples Temple Agricultural Project\u201d is dated 23 July 1974. Those familiar with the history of Jonestown know that 1974 marked the beginning of development, with trees being felled and land being cleared. The eight short lines of the poem signify what a labor it was:<\/p>\n

Earth is a mama
\nwho plies patience
\nunafraid of denying.
\nTrains her wisdom
\non the devil of details.
\nHer tipping point
\nis shifty weight,
\nliquid volume.<\/p><\/blockquote>\n

In vivid metaphor, another poem details the difficulties in carving a village out of a jungle \u2014\u201cComposting, 30 July 1977.\u201d \u201cThe soil did not swaddle,\u201d it begins. But the poem ends on a note of confident expectation:<\/p>\n

So we saturated it
\nwith accelerants like wonder
\n& hunger.\u00a0 Warmed it with
\nour hopeful & certain bodies.<\/p><\/blockquote>\n

Introductory notes provide the historical context for understanding the poems. This is important, since most readers are likely to have been born after 1978. Because their knowledge of Peoples Temple is limited to the \u201cJonestown massacre,\u201d they will gain more than aesthetic enjoyment from scott\u2019s poems; they will also acquire appreciation for the humanity of the people who made up the Temple.<\/p>\n

There are too many memorable lines to do justice to the lyricism of scott\u2019s poetry. But I cannot resist providing at least two here. First:<\/p>\n

God is a chance we take.<\/p><\/blockquote>\n

And elsewhere:<\/p>\n

Sanding is spiritual work.
\nHands, the main organ
\nby which to manipulate
\nthe environment, polish.<\/p><\/blockquote>\n

\"\"<\/a>It is clear that scott read widely from numerous sources to enlarge her own understanding of Peoples Temple. Her poem \u201cMaking Soap, 13 August 1977,\u201d brings to life the photographs of older African American women laboring to make soap for the community. \u201cFor Yonder, Summer 1977,\u201d presents a list of items a teenager plans to take for the emigration into Guyana. \"\"<\/a>Some of the items come directly from packing lists used by members making the move (including \u201cClothing List for Yonder\u201d<\/a> and \u201cSupply Lists, February 1978\u201d<\/a>.)<\/p>\n

scott also portrays the hardships that people endured in poems such as \u201cThe Rules, 5 September 1977,\u201d \u201c[redacted] Earns His Wings, 8 March 1978,\u201d \u201cThe Scent of Her Grooming, 20 May 1978,\u201d and \u201cWhen Shanda Said No, 29 July 1978.\u201d The fear, the hunger, the abuse are all here.<\/p>\n

The poet complicates popular conceptions of Jonestown by juxtaposing the horror against its nobility. scott sees not only the tragedy, but also the richness, fruitfulness, and depth of human experience evident there\u2014and everywhere, for that matter. In other words, she gets at the marrow of her subject. This is what makes darlene anita scott\u2019s book a landmark in the literature of Jonestown.<\/p>\n

(<\/em><\/strong>Editor\u2019s note:<\/em><\/strong>\u00a0<\/em>Rebecca Moore\u00a0is Professor Emerita of Religious Studies at San Diego State University, and has written and published extensively on Peoples Temple and Jonestown. Rebecca is also the co-manager of this website.\u00a0Her other articles in this edition of <\/em>the jonestown report<\/em> are Dr. Hardat Sukhdeo: The Man Who Knew Too Little<\/a>, Godwin\u2019s Law and Jones\u2019 Corollary<\/a>, and The Cult of Jim Jones<\/a>.\u00a0She is also the author of remembrances for longtime Temple scholar Mary Sawyer<\/a> and for clinical professor of psychology Chris Hatcher<\/a>. Her full collection of articles on this site may be found\u00a0here<\/a>. She may be reached at\u00a0<\/em>remoore@sdsu.edu<\/em><\/a>.)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Marrow. By darlene anita scott. University Press of Kentucky, 2022. Reviewed by Rebecca Moore The amazing poems of darlene anita scott in her new book Marrow capture the essence of those who lived and died in Jonestown. scott uses diaries, photographs, letters, and tapes, along with her own prodigious imagination, to create stories, and worlds, […]<\/p>\n","protected":false},"author":8,"featured_media":0,"parent":117881,"menu_order":34,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-113384","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/113384","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/users\/8"}],"replies":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=113384"}],"version-history":[{"count":21,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/113384\/revisions"}],"predecessor-version":[{"id":118419,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/113384\/revisions\/118419"}],"up":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/117881"}],"wp:attachment":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=113384"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}