{"id":27451,"date":"2013-07-25T04:54:30","date_gmt":"2013-07-25T04:54:30","guid":{"rendered":"http:\/\/alternativejonestown.com\/?page_id=27451"},"modified":"2016-02-18T19:52:42","modified_gmt":"2016-02-18T19:52:42","slug":"q410","status":"publish","type":"page","link":"https:\/\/jonestown.sdsu.edu\/?page_id=27451","title":{"rendered":"Q410 Transcript"},"content":{"rendered":"

Transcript prepared by Fielding M. McGehee III. If you use this material, please credit The Jonestown Institute. Thank you.<\/strong><\/i><\/p>\n

To read the Tape Summary, click here<\/a>. Listen to MP3 (Side 1<\/a>, Side 2<\/a>).
\nTo return to the Tape Index, click here<\/a>.<\/p>\n

Tape starts with series of technical problems, recording at wrong speed.<\/p>\n

The music begins with six instrumentals. The third selection has a false start, cuts off, and begins again.<\/p>\n

Song 7<\/b>: <\/p>\n

(Male singer) Run to the sunset hand in hand
\nA lonely beach
\nThe warmth of her laughter
\nThis is the place and time you’d rather be
\nNot for now
\nForever after
\nWhen you think of the beginning
\nWhen your love is true
\nThe joy and the sorrow
\nAre feelings that are true
\nThis day we’ll be together
\nFor as it goes
\nLove becomes impressions in the diary of your mind
\nLove becomes a precious gem so hard to find
\nWhen you think of filling all the spaces in your life
\nLonely places in your life
\nYou think of her
\nYou think of her<\/p>\n

(Musical interlude)<\/p>\n

When you think of filling all the spaces in your life
\nAnd when you stand to the silent invitations of her eyes
\nYou draw her near to make sweet love
\nTill the sound begins to rise
\nYou know just how to touch each other
\nIn your body, mind and soul.
\nThere is no greater ecstasy<\/p>\n

(Musical interlude)<\/p>\n

Run to the sunset hand in hand
\nA lonely beach
\nThe warmth of her laughter
\nThis the place and time you’d rather be
\nNot just for now
\nBut ever after
\nWhen you think of the beginning
\nWhen your love is true
\nThe joy and the sorrow
\nAre feelings that’s true
\nThis day we’ll be together
\nFor as it goes
\nLove becomes impressions in the diary of your mind
\nLove becomes a precious gem so hard to find
\nWhen you think of filling all the spaces in your life
\nLonely places in your life
\nYou think of her
\nOh yeah<\/p>\n

(Musical interlude)<\/p>\n

And when you stand to the silent invitations of her eyes
\nYou draw her near to make sweet love
\nTo the sound begins to rise
\nYou know just how to touch each other
\nIn your body, mind and soul.
\nThere is no greater ecstasy
\nThan when love has taken hold
\nIn these days
\nFor as it goes
\nLove becomes impressions in the diary of your mind
\nLove becomes a precious gem so hard to find
\nWhen you think of filling all the spaces in your life
\nLonely places in your life
\nOh, you think of her
\nWell well well well
\nKeep on running
\nThrough your mind
\nKeep on running
\nThrough your mind
\nThink of her
\nThrough your mind<\/p>\n

(Tape edit)<\/p>\n

Song 8:<\/b><\/p>\n

Summertime
\nAnd the livin’ is easy,
\nFish are jumpin’
\nAnd the cotton is high.
\nYour daddy’s rich
\nAn’ yo’ mama’s good lookin’
\nSo hush, little baby,
\nDon’t you cry.
\nOne of these mornin’s,
\nI’m gonna rise, rise up singin’
\nThen I’ll spread my wings
\nAn’ I’ll take to the sky.
\nBut until that mornin’ comes, mornin’ comes, mornin’ comes, mornin’ comes,
\nThere’s ain’t nothin’ gonna harm me
\nWith my Mama and Daddy
\nStandin’ by.<\/p>\n

Song 9:<\/b><\/p>\n

Guyana is so beautiful to me
\nGuyana is so beautiful, yes it is, to me
\nYes, I see,
\nIt’s everything I’d ever hoped for
\nAnd it’s everything to me
\nGuyana is so so beautiful to me
\nI wanna say it again
\nGuyana is so beautiful, when I look around,
\nWhen I look around, to me
\nGuyana is so beautiful, every day, mmmm, to me
\nYes, I see,
\nIt’s everything I’d ever hoped for
\nAnd it’s everything everything everything to me
\nGuyana is so beautiful
\nI wanna say it again
\nGuyana is so beautiful
\nIf you know what I mean
\nGuyana is so beautiful
\nI wanna clap my hands
\nGuyana is so-
\nOne more time, one more time, one more time
\nGuyana is so beautiful to me.
\nTo me, yeah yeah.<\/p>\n

End of side 1<\/p>\n

Side 2<\/p>\n

End of last song<\/b><\/p>\n

-yeah<\/p>\n

Song 10:<\/b><\/p>\n

(false start, or double taped, song starts again)
\nI’ll make the first step
\nAnd you will make the next
\nWe’ll join hands the farther we go
\nThe hills may sometimes seem hard for you to climb
\nBut I know we can make it if we try
\nWe’ll go on for years
\n(unintelligible line)
\nWe’ll live together in peace
\nI’ll make the first step
\nAnd I know you, you will make the next
\nAnd we’ll join hands the farther we go
\nThe hills may sometimes seem hard for you, you to climb
\nBut I know we’re gonna make it by and by
\nOh, (two unintelligible lines)
\nTo live together in peace.<\/p>\n

Song 11<\/b><\/p>\n

Anybody here seen my friend Cuffy
\nCan you tell me where he’s gone?
\nHe freed a lot of people but the good, they die young
\nI just looked around and he was gone.
\nAnybody here seen my friend Martin [Luther King]
\nCan you tell me where he’s gone?
\nOh, he freed a lot of people but the good, they die young
\nI looked around and he was gone.
\nAnybody here seen my friend Medgar [Evers]
\nCan you tell me where he’s gone?
\nHe freed a lot of people but the good, they die young
\nI looked around and he was gone.<\/p>\n

(Musical interlude)<\/p>\n

Anybody here seen Che Guevara
\nCan you tell me where the man is gone?
\nWell, he freed a lot of people but the good, they die young
\nI looked around, the man was gone.
\nAnybody here seen Mahatma Gandhi
\nCan you tell me to where he’s gone?
\nYes, yes, he freed a lot of people but the good, they die young
\nOh, I looked around, the man was gone.
\nAnybody here seen Che Guevara
\nCan you tell me where that man has gone?
\nOh, he freed a lot of people but the good, they die young
\nI looked around, and he was gone.
\nAnybody here seen my friend Cuffy
\nCan you tell me where that man has gone?
\nOh, he freed a lot of people but the good, they die young
\nI looked around, and he was gone.
\nI just looked around, the man was gone.
\nI just looked around, and he was gone.<\/p>\n

Song 12:<\/b><\/p>\n

(instrumental)<\/p>\n

End of tape<\/b><\/p>\n

Tape originally posted February 2005<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"

Transcript prepared by Fielding M. McGehee III. If you use this material, please credit The Jonestown Institute. Thank you. To read the Tape Summary, click here. Listen to MP3 (Side 1, Side 2). To return to the Tape Index, click here. Tape starts with series of technical problems, recording at wrong speed. The music begins […]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":27291,"menu_order":234,"comment_status":"open","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-27451","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/27451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=27451"}],"version-history":[{"count":7,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/27451\/revisions"}],"predecessor-version":[{"id":60062,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/27451\/revisions\/60062"}],"up":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/27291"}],"wp:attachment":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=27451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}