{"id":28161,"date":"2013-06-16T00:18:31","date_gmt":"2013-06-16T00:18:31","guid":{"rendered":"http:\/\/alternativejonestown.com\/?page_id=28161"},"modified":"2016-03-01T20:53:04","modified_gmt":"2016-03-01T20:53:04","slug":"422-2","status":"publish","type":"page","link":"https:\/\/jonestown.sdsu.edu\/?page_id=28161","title":{"rendered":"Q422 Summary"},"content":{"rendered":"<p><i><strong>Summary prepared by Fielding M. McGehee III. If you use this material, please credit The Jonestown Institute. Thank you.<\/strong><\/i><\/p>\n<p>To read the Tape Transcript, <a href=\"http:\/\/jonestown.sdsu.edu\/?page_id=27455\">click here<\/a>. Listen to MP3 (<a href=\"http:\/\/www-rohan.sdsu.edu\/nas\/streaming\/dept\/scuastaf\/collections\/peoplestemple\/MP3\/Q422a.mp3\">Pt. 1<\/a>, <a href=\"http:\/\/www-rohan.sdsu.edu\/nas\/streaming\/dept\/scuastaf\/collections\/peoplestemple\/MP3\/Q422b.mp3\">Pt. 2<\/a>).<br \/>\nTo return to the Tape Index, <a href=\"http:\/\/jonestown.sdsu.edu\/?page_id=28703\">click here<\/a>.<\/p>\n<p><strong>FBI Catalogue:<\/strong> Unidentified Individuals Speaking<\/p>\n<p><strong>FBI preliminary tape identification note: <\/strong>Labeled in part<\/p>\n<p><strong>Date cues on tape:<\/strong> None (made during the life of Jonestown between September 1977 and November 1978)<\/p>\n<p><strong>People named:<\/strong><\/p>\n<p><em>Public figures\/National and international names:<\/em><\/p>\n<div style=\"margin-left: 125px;\">Mick Jagger, Rolling Stones musician<br \/>\nKeith Richards, Rolling Stones musician<br \/>\nBill Wyman, Rolling Stones musician<br \/>\nBrian Jones, Rolling Stones musician<br \/>\nCharlie Watts, Rolling Stones musician<br \/>\nJohn Lennon, Beatles musician<br \/>\nElvis Presley<br \/>\nSheila, French singer<br \/>\nFran\u00e7oise Hardy, French singer<br \/>\nMike Grant, singer<br \/>\nJohnny Hallyday, singer<br \/>\nRen\u00e9 Simard, Canadian singer<br \/>\nMichel Delpech, French singer<br \/>\nAlain Delon, French actor<br \/>\nBrigitte Bardot, French actress<\/p>\n<p>Paul Joseph Goebbels, Nazi Minister of Propaganda<br \/>\nHector Belioz, French Romantic composer<\/p>\n<p>Rothschild, French banking family<\/p><\/div>\n<p><strong>Bible verses cited:<\/strong> None<\/p>\n<p><strong>Summary:<\/strong><\/p>\n<p><i><strong>(Note: <\/strong>This tape was transcribed by Vicki Perry. The editors gratefully acknowledge her invaluable assistance.)<\/i><\/p>\n<p>An unidentified woman in Jonestown reads an article which excoriates rock n\u2019 roll and other manifestations of pop culture, and which laments the increasing lack of appreciation for opera and classical music. The origin of the article is also unknown, although a note accompanying the tape describes it as \u201cSoviet Journal.\u201d While the article includes some of the rhetoric of other Eastern bloc nations which filled other readings from the Jonestown radio room, the subject of the article is more cultural and less overtly political than most. In addition, since Jim Jones is not the reader, there is less commentary.<\/p>\n<p>The article describes and then characterizes the purpose of rock n\u2019 roll \u2013 in the persona of the Rolling Stones and more specifically, Mick Jagger \u2013 as bringing about \u201csoothing passivity\u201d among the young. The glorification of sex, alcohol and drugs in modern music numbs youth to the need for social and political change and even to the virtues of honest labor. It accomplishes what propaganda is designed to accomplish: it \u201cattracts the imagination of young people like a magnet and which demoralizes their creative energies, reverting them into an abstract, enhanced safe protest. \u2026 Only this kind of protest does not threaten the pillars of the western world. The western world is not afraid of a physical assemblage as free individuals. What it does fear is a unification of individuals into a revolutionary force.\u201d<\/p>\n<p>In this way, the article continues, \u201cthe phenomenon of pop music itself has become a powerful tool for confusing the younger generation.\u2026 In this sense, the revolutionary Rolling Stones are a godsend for western propagandists.\u201d<\/p>\n<p>The article extrapolates from rock music to other aspects of pop culture, from glossy photo magazines that lionize celebrities to horoscopes, all of which is accompanied by the unrealistic desires and expectations of advertising. The concluding message is one that would find resonance with the Jonestown community: \u201cThe main aim of advertising is <em>not<\/em> to popularize the commodity, but to condition mentality, desire and need.\u201d<\/p>\n<p><strong>FBI Summary:<\/strong><\/p>\n<p>Date of transcription: 6\/25\/79<\/p>\n<p>In connection with the Federal Bureau of Investigation\u2019s investigation into the assassination of U.S. Congressman LEO J. RYAN at Port Kaituma, Guyana, South America, on November 18, 1978, a tape recording was obtained. This tape recording was located in Jonestown, Guyana, South America, and was turned over to U.S. Officials in Guyana and subsequently transported to the United States.<\/p>\n<p>On June 6, 1979, Special Agent (name deleted) reviewed the tape numbered 1B100-27. This tape was found to contain the following:<\/p>\n<p>Discussion of Western Propaganda (phonetic) by unidentified female individual who was introduced by JIM JONES. The discussion specifically concerned MICK JAGGER, The Rolling Stones, and Pop Culture.<\/p>\n<p><strong>Differences with FBI Summary:<\/strong><\/p>\n<p>The summary is accurate \u2013 although the male making the short introduction may not be Jim Jones \u2013 and meets the FBI\u2019s purposes.<\/p>\n<p><b>Tape originally posted January 2012<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Summary prepared by Fielding M. McGehee III. If you use this material, please credit The Jonestown Institute. Thank you. To read the Tape Transcript, click here. Listen to MP3 (Pt. 1, Pt. 2). To return to the Tape Index, click here. FBI Catalogue: Unidentified Individuals Speaking FBI preliminary tape identification note: Labeled in part Date [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":27996,"menu_order":238,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-28161","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/28161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28161"}],"version-history":[{"count":8,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/28161\/revisions"}],"predecessor-version":[{"id":66485,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/28161\/revisions\/66485"}],"up":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/27996"}],"wp:attachment":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}