{"id":86790,"date":"2019-03-22T17:23:46","date_gmt":"2019-03-23T00:23:46","guid":{"rendered":"https:\/\/jonestown.sdsu.edu\/?page_id=86790"},"modified":"2019-03-22T17:28:57","modified_gmt":"2019-03-23T00:28:57","slug":"delicatessen","status":"publish","type":"page","link":"https:\/\/jonestown.sdsu.edu\/?page_id=86790","title":{"rendered":"Delicatessen"},"content":{"rendered":"<p><em>(after Hurricane Sandy &amp; 3 nights of no power)<\/em><\/p>\n<p>In the delicatessen a last avocado.<br \/>\nBlack, pulpy\u2014a kind of soft grenade.<\/p>\n<p>I set it down<br \/>\nfor probably nobody.<\/p>\n<p>I step out\u2014not through doors<br \/>\nbut through clear plastic tatters<br \/>\nshimmering in a doorframe.<\/p>\n<p>Hothouse roses on the shelves outside;<br \/>\nhyacinths in foiled cups.<\/p>\n<p>*<\/p>\n<p>Calling storms by dumb names\u2014<br \/>\nnot the shabbiest way of neutering disaster,<br \/>\nI think.<\/p>\n<p>Like the pit bull called Cuddles,<br \/>\nthe Lovers\u2019 Lane near the sewage treatment plant\u2014<\/p>\n<p>Even\u00a0<em>All Saints\u2019 Day,\u00a0<\/em><em><br \/>\n<\/em>when you think about it.<br \/>\nToday, when I say,\u00a0<em>I have it good<\/em>,<br \/>\nmeaning,\u00a0<em>better than others<\/em>,<\/p>\n<p>&amp; the children screaming\u00a0<em>Help<\/em><em><br \/>\n<\/em>then\u00a0<em>Made you look<\/em>, meaning<br \/>\n<em>We tricked you<\/em>\u2014<\/p>\n<p>*<\/p>\n<p>But hyacinths in November!<br \/>\nYou should see them!<\/p>\n<p>Hyacinths make roses ridiculous by contrast.<\/p>\n<p>Just look at the roses<br \/>\nhyperventilating in their cellophane shawls\u2014<\/p>\n<p>Pluck their cat claws &amp; they don\u2019t object&#8230;<\/p>\n<p>I want to grab someone passing &amp; ask<br \/>\nthe riddle that flowers won\u2019t answer\u2014<br \/>\nhow much beauty<br \/>\ncomes from never saying no?<\/p>\n<p>*<\/p>\n<p>Maybe someone\u00a0<em>will<\/em>\u00a0answer me.<br \/>\nThat\u2019s why I keep my mouth shut.<\/p>\n<p>*<\/p>\n<p>But not the sour-mouthed cashier\u2014<br \/>\nshe handles the bills,<br \/>\nshe carelessly dabs the lemon wedge<br \/>\nshe keeps by the side of the register.<\/p>\n<p>Never a word from her.<br \/>\nMaybe the balances chafe<br \/>\nthe tongue as well as the fingers.<\/p>\n<p>She doesn\u2019t need to keep an eye peeled\u2014<br \/>\nthe cameras do it all.<\/p>\n<p>If I could teach one art, it<br \/>\nwould be how to go home unanswered,<br \/>\nempty-handed\u2014<\/p>\n<p>*<\/p>\n<p>But what about the sidewalk Cyclops,<\/p>\n<p>the all-seeing tattoo on the bald guy\u2019s head,<br \/>\nwho once, I swear, called me by my right name,<\/p>\n<p>who saw me frowning in sunlight\u2014<\/p>\n<p><em>That &amp; this so bad, Tyrell, you ain\u2019t<\/em><em><br \/>\nseen the darkest yet<\/em>&#8230;<\/p>\n<p>The subway\u2019s closed tonight\u2014<br \/>\nwhat darkest dark can he guard now?<\/p>\n<p>*<\/p>\n<p>I think I\u2019d grow to like it\u2014<\/p>\n<p>the terrible wisdom<br \/>\nof stillness. The stomach, unchurning,<br \/>\nhollow as a prop.<\/p>\n<p>The circles moving around them,<br \/>\nthe cashier &amp; the Cyclops.<br \/>\nThe flowers too, if they can<br \/>\nreckon up anything besides their own mutilation.<\/p>\n<p>Maybe they can sense<br \/>\nthe babies wheeling by at warp speed&#8230;<\/p>\n<p>who seem too light, having<br \/>\nlittle to them, or too much\u2014an eye,<br \/>\na name, some inarticulate rage,<br \/>\nall that\u2019s needed to be called a storm.<\/p>\n<p>*<\/p>\n<p><em>And what\u2019s a blackout, Tyrell?<\/em><em><br \/>\nAfraid of roaches?<br \/>\nMaybe you\u2019ll make some new friends.<\/em><\/p>\n<p>*<\/p>\n<p>And why hyacinths, why November?<br \/>\nWhy rooted, not cut through, uncovered,<br \/>\ncombining two colors?<\/p>\n<p>Celestial blue, arterial purple,<br \/>\nmaybe earth thinking both of heaven<br \/>\n&amp; the blood in the sexes\u2014<\/p>\n<p>Thinking not only of a man-boy<br \/>\nturned into something beautifully inhuman<br \/>\nbecause a god looked at him once<\/p>\n<p>but also picturing women<br \/>\nwho know how to hide,<\/p>\n<p>the woman in the jungle camp called<br \/>\nHyacinth?<\/p>\n<p>76, secreting herself<br \/>\nunder a cot while the cult leader<br \/>\nin the pavilion makes nine hundred others<br \/>\nlie on the ground one last time,<\/p>\n<p>&amp; they won\u2019t rise again,<\/p>\n<p>the cups on the ground like white flowers.<\/p>\n<p>The toxins, red and purple in the cups,<br \/>\naround the roses of their mouths.<\/p>\n<p>&amp; Hyacinth who knows how to hide,<br \/>\nhow to wait for the last to drink<br \/>\neven as the writer of the last note<\/p>\n<p>summons those particulars<br \/>\nthat are terrible for being so ordinary\u2014<\/p>\n<p>a gray sky, a dog barking,<br \/>\na bird on a telephone wire.<\/p>\n<p>White night, the leader calls it.<\/p>\n<p>Stepping over the people on the ground\u2014<br \/>\nHyacinth &amp; the moon<br \/>\ncan rise in the white, humid night.<\/p>\n<p>*<\/p>\n<p>November then;<br \/>\nNovember now.<\/p>\n<p>A kind of soft grenade<br \/>\nI set down for probably nobody.<\/p>\n<p>Would I eat the goddamn flowers<br \/>\nif I thought they\u2019d answer?<\/p>\n<p><em>Made you look<\/em>\u00a0is all we can say<\/p>\n<p><em>(Michael Tyrell&#8217;s poem was originally published in the\u00a0Spring 2014 issue\u00a0of\u00a0<\/em>Iowa Review<em>, and was later selected for inclusion in\u00a0<\/em>Best American Poetry 2015<em>. It is republished here with permission of the author.<\/em><\/p>\n<p><em>(Mr. Tyrell\u2019s book of poems,\u00a0<\/em>The Wanted<em>, was published by the <\/em>National Poetry Review Press<em> in 2012. His work has also appeared in <\/em>Fogged Clarity<em>,\u00a0<\/em>The New Republic<em>, and\u00a0<\/em>Toronto Quarterly<em>.)<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(after Hurricane Sandy &amp; 3 nights of no power) In the delicatessen a last avocado. Black, pulpy\u2014a kind of soft grenade. I set it down for probably nobody. I step out\u2014not through doors but through clear plastic tatters shimmering in a doorframe. Hothouse roses on the shelves outside; hyacinths in foiled cups. * Calling storms [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":83654,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-86790","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/86790","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=86790"}],"version-history":[{"count":2,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/86790\/revisions"}],"predecessor-version":[{"id":86793,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/86790\/revisions\/86793"}],"up":[{"embeddable":true,"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=\/wp\/v2\/pages\/83654"}],"wp:attachment":[{"href":"https:\/\/jonestown.sdsu.edu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=86790"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}